The project's aim is to illustrate the exchange of letters between Hermann Bahr and Arthur Schnitzler and the development of Viennese modernism to its international significance.
The project's aim was the consolidation of the Theatermuseum's Max Reinhardt-inventory, which is shared by several inhouse collections.
In the course of this valorisation the complete inventory of costumes was recorded for the first time: 1342 catalogue numbers were registered, identified and assigned to persons or/and productions.
The archiving of this compilation of hand sketches was optimized with acid free passe-partouts and new mountings and some of the heavily stained and spotty sheets underwent a meticulous cleaning procedure.